You can choose different modes for the main window and overview, and either zoom each separately, or synchronise them so that (for instance) you can have a spectrum display in the overview and wave displays in the main windows beneath, and they will remain locked together when you zoom in and out. The standard mode familiar from previous versions is Wave, but this is now joined by Loudness Envelope and Spectrum. The most notable new feature is that each waveform window and associated overview can now be viewed in any of three display modes. Those upgrading without a suitable dongle can buy one from Arbiter for £20 (it must be bought at the same time as the upgrade, though). Wavelab upgrades don't include this dongle, but if you already own any of the aforementioned products you can use its dongle to authorise Wavelab 6. The full version is supplied with a Synchrosoft dongle identical to that used by Cubase SX, Nuendo 2 and 3, Hypersonic and Halion 3. For the first time ever, Wavelab is protected by a USB dongle. Wavelab 6 proves them wrong, but one new addition may not be as welcome as the others. Given that Wavelab 5 already included more features than many musicians could shake a stick at, some may have wondered if there were any more new features that could possibly be added. Each new version has managed to add numerous new features and improvements without sacrificing stability or performance. Since its first release in 1996, Philippe Goutier's Wavelab application has jumped to the next major revision every couple of years.

Wavelab 's latest tricks include a revolutionary Spectrum Editor, which allows you to identify problem areas in your material visually before applying extremely precise restoration processes. The Spectrum Editor lets you view audio files in spectrogram mode, draw round any region and edit it in lots of different ways that will prove invaluable to anyone trying to restore damaged or problem recordings.

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